If you've ever looked at a finished print and thought the top surface looks rough and lined compared to the sides - ironing fixes that. It's a post-processing pass the slicer adds after the final top layer, and when it's set up correctly, it turns a textured surface into something that looks almost injection-moulded.
It's one of those features that sounds fiddly but takes about two minutes to set up, and the results speak for themselves.
Ironing is an extra pass the printhead makes over the top surface after it finishes the final layer. The nozzle moves slowly back and forth across the surface, either extruding a very small amount of filament or nothing at all, remelting and smoothing the top layer as it goes.
The effect: instead of parallel ridged lines from the last top layer, you get a flat, smooth, slightly glossy surface.
Ironing works best on:
It's less useful on:
Quality settings > Ironing > Enable ironing. Set to "Top surfaces only" to start.
Print settings > Infill > Ironing > Enable ironing.
Search "ironing" in settings (make sure All settings are shown). Enable "Iron top surface".
The percentage of normal extrusion used during the ironing pass. Lower flow means the nozzle is mostly just remelting existing plastic rather than adding new material.
How fast the nozzle moves during the ironing pass. Slower means more time for heat to transfer and flatten the surface.
How far apart the ironing passes are. Wider spacing is faster but leaves more texture. Tighter spacing is slower but smoother.
Most slicers offer concentric or linear options. Linear (back and forth) is the most common and works well for most shapes. Concentric follows the outer edge of the surface inward, which can look good on circular parts.
The best way is to print all four settings side by side using the Ironing Test at tools.print3dbuddy.com. It prints four flat tiles - one with no ironing as a baseline, then 10%, 15%, and 20% flow - so you can see the difference directly.
Otherwise, start at 15% flow and 50% speed, run a quick test tile, and adjust from there.
Still looks rough after ironing
Visible ridges or raised lines on the surface
Blobs or zits on the ironed surface
Ironing takes forever
Each filament behaves a bit differently during the ironing pass.
PLA gives the most consistent results. The temperature window is narrow enough that the nozzle remelts the surface without over-depositing. Start at 15% flow and 50% speed.
Silk PLA tends to blob slightly during ironing because the additives lower viscosity. Try reducing flow to 10% first. If the surface still looks rough, slow the ironing speed down further before increasing flow.
PETG works but stringing during the ironing pass is common. Make sure retraction is correctly set and run the ironing at the lower end of your PETG temperature range. Some people drop temperature by 5-10°C specifically for the ironing layer using custom G-code in their slicer, though this complicates the setup.
ABS and ASA can iron reasonably well, but warping around the base of the model during a long print can disrupt the ironing pass if the model is partially lifting. An enclosure keeps things stable enough for it to work.
TPU doesn't benefit from ironing. The soft surface just deforms under the nozzle rather than smoothing.
Ironing only smooths flat horizontal top surfaces. It can't do anything useful for angled or curved surfaces because the nozzle moves in a flat plane and can't follow a slope.
If a model has an important angled surface that needs to look clean, the fix is print orientation rather than ironing. Rotate the model so that surface becomes a flat top, then print it that way, even if it means adding supports elsewhere. The ironing result on a properly oriented flat surface will look better than any other post-processing approach for most materials.
For models with multiple important faces at different angles, sanding or acetone smoothing (for ABS) may be more practical.
If you're printing multi-colour models using filament swaps or a multi-material system, ironing over colour-change layers can drag small amounts of the previous colour across the freshly deposited surface during the ironing pass.
The simplest solution is to disable ironing for the specific layers that sit directly above a colour change. Alternatively, make sure your colour-change purge is thorough enough that the nozzle is fully cleared before the ironing layer begins.
For decorative prints, yes. The difference between an ironed and unironed flat top is immediately visible and gives prints a much more finished look.
For functional prints, it's usually not worth the time. A bracket or a tool holder doesn't need a polished top face.
The one thing to be aware of: ironing adds print time, sometimes significantly on large flat areas. Run it on the prints where it counts.
The Ironing Test at tools.print3dbuddy.com gives you all 4 tiles in one STL - no ironing, 10%, 15%, and 20% flow. Print them all at once, compare the tops, and you'll have your ideal setting in under 30 minutes.